We have to wait and see how it works at box office. On the flipside, a novel screenplay (as most of the screenplay resembles that of Ready and Dhee) in the second half would have given fresh feel to the movie.
Namo venkatesa movie hd plus#
The plus points of the movie are Venkatesh’s performance and Seenu Vytla’s entertainment orientation. The second half becomes little lengthy and predictable. A lot of care is taking in postproduction activities as well.įirst half of the movie is entertaining. Production values by the new production house ’14 Reels Entertainment’ are very good. The virgin locations chosen for shooting of songs are excellent. Cinematography by Prasad Murella deserves a special applause as the visuals are shot beautifully. Music by Devi Sri Prasad is adequate with the title song being peppy. Screenplay of the movie becomes disengaged towards latter part of the second half. Hence the desired effect is missing on the Brahmanandam character in this movie compared to earlier Seenu Vytla’s movies. However, in this movie Brahmanandam makes hero bakra most of the times. In the earlier movies of Seenu Vytla, heroes make Brahmanandam a bakra and audiences loved it. We expect a lot from Brahmanandam character in Seenu Vytla movies.
I also like the creative idea of changing the tunes in the background when Venkatesh and Ali aim for Trisha ( Emaindi Ee vela and aashique banaya). The way Venkatesh dances to tunes of other heroes and beats Brahmanandam up by remembering his enemies is good. Irrespective of how many number of times he directs drinking scenes in his movies, Seenu Vytla makes sure that he entertains each of the time in a refreshing way. However, most of them are already done by him in movies like Dhee and Ready. Seenu Vytla who mastered the art of entertainment made sure that he had lots of entertaining scene in the movie. Screenplay - direction: Screenplay of the movie is good in parts. Venkatesh has done similar climaxes in three films after year 2000 (Nuvvu Naku Nachav, Vasantham, Adavari Matalaku Ardhalu Verule) where heroine who is about to get married to another guy changes her heart in the last minute. The idea of hero planning to start a factory by partnering with the family of heroine is also inspired by DDLJ. Our story writers are still stuck in DDLJ hangover where hero comes from abroad to stay in heroine’s place. We have seen innumerous movies (Sankham, Jayeebhava, Saleem to name a few in the last few months) in the past where the half of the film happens in the abroad and the other half shifts to Rayalaseema. Story: There is no freshness in the story and entire story runs on deja vu. Master Bharath’s character is not hilarious as it is supposed to be a positive character helping hero. Jaya Prakash Reddy, Dharmavarapu, Kota and Telangana Sakuntala are adequate. MS Narayana’s jyotishyam episode is nice. Brahmanandam is pretty good as a guy who loves fooling around with the people. He looks good and performs very well in the only emotional scene in the climax. It’s a cake walk for Venkatesh to do such a fine comedy performance. The rest of the story is all about how Prasad conspires with Ramana to rescue Pooja. Her marriage is fixed with a guy she doesn’t like. Pooja is the daughter of a rich factionist in Rayalaseema and she is forced to return back in the middle. Prasad realises that only way to make Ramana bakra is to tell him that Pooja loves him too. Paris Prasad (Brahmanandam) is a tour organizer in Europe. He goes along with the troop of artists to perform for a local Telugu association in Europe. Venkata Ramana (Venkatesh) is a ventriloquist.
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